Voyager bros lost series 2007/2008

 

Look at her. Like most black women who are young, they are basically sidelined to the end of the spectrum of any interest or any importance and basically exist as background characters, unseen and forbidden to actually be human beings. In her case, failure to even actually exist as what she was supposed to be, ironically, by the same black people who often do the same to real black young women. 

I never actually got even finished the conception of the series, but all I had was two black twin brothers. Why? Because that's what I wanted to do a story about this time. That's why: nothing deep, no actual political context, just wanted to create a story. This was supposed to be a love interest, a black woman, not that it was actually made for that purpose of any diversity. I just wanted that to be the story at that time, and it would grow and it would develop and eventually it became its own little franchise. It's always been there at the back, but after all the stuff I try to do, it just gets pushed to the very back of everything to the point you kind of forget it. What is worthy to note is that often my mother would try to bully me when I didn't like drawing black people or some bullshit but ultimately that's just harassment when you don't have to like doing anything. Ultimately you shouldn't be forced to draw people you don't want to. They're just trying to get somebody to draw something they want to draw and ultimately that ain't me. It's ultimately forced, it's ultimately fake, and ultimately not even real. Nobody wants to see that shit and pretty much it's disgusting.

I'm just trying to tell you that truly much that you're defaming yourself and basically making a character out of yourself. To which I am not even trying to have a straight nose; that's just the art style. No we don't get anything that's not in our little closed-minded perspective. It's almost like they like being mental slaves. They like being mental slaves to a certain idolism when there is no strength in it. It's just being a crazy person at the end of the day.

In my adult life I find that only severely uneducated people have this idolism and no one should actually have to shift their art perspective to what someone else likes. Pretty much fuck all that shit; I'll draw what I want. I'd rather not make a fake story that has fake meaning behind it. 

Last year, working on Mysterious and Changer, I drew some characters reminiscent of these twins, and I was like, "Oh, they're so similar to this old idea." I thought to myself, "Maybe I should return to this old idea."  Going back to that whole thing of where my mom would be like, "Where are the black people?" And ultimately, my response is nothing. It's just a form of bullying harassment, at this point, the one time I draw a series with black people in it is a time that day that people cannot be cannot be  good. Where's the support at? Where's the support at then Mother? Where's the support at Den Mutter? It was all fake. She didn't actually care about anything and pretty much just critiqued and berated anybody who actually is black just because they don't look like her or some bullshit.

Ultimately it's kind of racist to assume that only white people have straight noses. When no, that's not even accurate. It's not accurate at all. Like bro, you're kind of stupid when you actually think about it. White people are not white and black people actually have the same set of features so no, it's very silly.

You know, sometimes I'll go to the church, I'll just be all of it. Disillusion, disassociating reality. I drew this one day before that that whole nonsense experience, I find it just like a re-education for black people, you know, to keep the black people under control you gotta keep them indoctrinated, like  Like, they're fools or something around things that don't actually work for black people to even foster ideas behind in the way that is presented in these places if you understand where I'm coming from, but I wanted these people to actually be real black people and not  Stereo types like often is what you will always see in any black show with black characters in it. Nothing but stereo types, I don't enjoy those stories. You know I was thinking about including this in MM Culture 2015 but the stakes behind this thing are too high. I have to be very serious about everything and I didn't have the answers to actually develop the comics then so it would just have been bad to include it back then.

I tell you, there is nothing good about being alone in the effort and people just don't understand how much they put you in that position and then they want to be like, "Oh we support you. We support you for not kicking around the house and you being a hobo." Imagine a Mickey Mouse impression over that and that's basically what they fucking say so fuck all that shit. That's not support; that's just being a little bitch.

Ultimately I don't need the code to anybody to tell me what I'm saying is that, as a creative, there is no support. At least for me there is none. I just felt very disgusted. The characters that I wanted to create just aren't welcomed by the so-called black community and ultimately it is what they would call "Fox Black People" in those days. I just think that sometimes you gotta actually say what people were actually on in those days and it wasn't anything good. This is before Obama was elected, by the way. This is before Obama was elected as president but we're not going to get into that. It's ultimately an era of false hopes, gilded hopes and dreams and ultimately it leads into nothing good. 

I literally felt myself fall into the abyss of not creating this work until I was nine. I couldn't even include it because, oh yeah, ninth grade seminar is very scary. I got to get serious and not overcreate too many ideas so it was kind of left in the past while trying to make a better future for myself, which I actually did. I can come back to this time and actually create something.

What was the story about? In its true simplicity I don't know. I never completed it. I never even got to finish the concept, unlike the other ones. This one is the worst one off. There's no completed concept art, no real casting. I don't even know what their power would be, what their ability would be, what they would do, what was going to happen in this series, what was going to be the story, or what was going to be the lore.

Pretty much just an idea of two brothers vying for this one girl. It's basically like an action version of French fry, a series. I even decided not to make comedies in 2015 just so I don't have to be making up jokes and time. I don't feel like joking about anything and pretty much that may be it; may have been for the best because ultimately some people are just crazy and continually want to bring up dead people who held no significance to anything at all and ultimately just are creepy. Even if they are a black person there's something like a meme gone too far, a meme gone too far, memes gone too far. Just stop. There's no need to defame dead people. The woman knows who she is but anyways, getting past the point of what I'm trying to say to you is that literally this is the worst, the worst of the collapse of smile. I want to actually say it didn't even survive to be a kaiomi work. It didn't. The situation is so bad I don't even know what to even do with it but I do realize that it's a great thing, a great project to undertake, to recover, to show other people how they can recover their ultimately lost idea. You I literally felt myself fall into the abyss of not creating this work until I was nine. I couldn't even include it because, oh yeah, ninth grade seminar is very scary. I got to get serious and not overcreate too many ideas so it was kind of left in the past while trying to make a better future for myself, which I actually did. I can come back to this time and actually create something.

What was the story about? In its true simplicity I don't know. I never completed it. I never even got to finish the concept, unlike the other ones. This one is the worst one off. There's no completed concept art, no real casting. I don't even know what their power would be, what their ability would be, what they would do, what was going to happen in this series, what was going to be the story, or what was going to be the lore.

Pretty much just an idea of two brothers vying for this one girl. It's basically like an action version of French fry, a series. I even decided not to make comedies in 2015 just so I don't have to be making up jokes and time. I don't feel like joking about anything and pretty much that may be it; may have been for the best because ultimately some people are just crazy and continually want to bring up dead people who held no significance to anything at all and ultimately just are creepy. Even if they are a black person there's something like a meme gone too far, a meme gone too far, memes gone too far. Just stop. There's no need to defame dead people. The woman knows who she is but anyways, getting past the point of what I'm trying to say to you is that literally this is the worst, the worst of the collapse of smile. I want to actually say it didn't even survive to be a kaiomi work. It didn't. The situation is so bad I don't even know what to even do with it but I do realize that it's a great thing, a great project to undertake, to recover, to show other people how they can recover their ultimately lost idea. You You know that I literally don't like the fact that this even happened in life but ultimately I do this to get rid of that, this darkness, this embarrassment at the end of the day that a person must live with. It's like being told that you can't do something when you're perfectly able to do it but just don't have the resources to do it. Now I do have the resources to do it and be successful.