The 2014 -2017 development

People like to believe the world is determined by certain ideas and principles, but not me. I find that those principles and determinants are just eventually set to up you for failure. The first thing I did when I went to that school a long time ago was, well, not even before then, I had a new book with the name Kionbi: New Ventures at 4:07:07. What was he even about? New ideas. Of course, those new ideas don't appear until, like, the second of Oct-November, not October-September.

Basically, I had this whole method where I would draw the different characters out for any work I was working on. It would help the ideas come out when I was to write something. This was the companion I used to write the conflagration for those three weeks.

Ultimately, I want to say that, literally, there is another book that has the, what I would call, the different methods I was going to use. Actually, it's the same book. It has the same methods; it has the methods I was going to write. This is like the Sunday, the first Sunday in a year. I gotta get my plan on for what I was going to do. I just want to note how special this was.

Abstract, Hysterical, Irish, Show, Fictional, Experimental, Hopeful in Action, Lyrical, Decisive, Experience, Emotional. This is what I was doing to try and progress myself for Fezz. The Fezz is basically a thing I developed while going to distance for the idea, but I never actually came back to this, pretty much. It helped open the brainstorm for what I could be doing to actually have an open mind. Each category opened the mind to a certain thing I could be doing. It's like branching, okay? When an owl is branching, they're preparing to fly; they gotta go up eight different branches. In this particular analogy, I'm trying to communicate, or more just to get a new idea. I find that I was made to be a champion of the arts. This book is completely almost empty aside from all this stuff and is basically a relic of the times. I'm pretty sure that if a dude actually wanted to make a narrative of the time period, this would be the best place to draw stuff without actually having to waste paper, buy more paper, and waste more things. Here in this book, I got so many drawings from that time period, from the beginning of that school year to the end: the conflagration works and the other works that came at the end. There actually was supposed to be a second compilation that was not the last one, the one that was at the end of the year. You know, when I was a kid back in the 90s or early 2000s, like before 9/11, you had the basic colors, and then you had the platinum and bronze colors, and those were so awesome, right? The ones at the end of the year are basically those, and complication is just the basic colors. Yet I never actually fleshed out all these ideas, because that was the point of the thing.

Children of Mars is actually from the end point, December of that year, and it is basically a remake of this Mars video game I had in my mind, so it's not really special. Slayers, Dragons, and Moonlight is just, I want to say this, just Slayers and Wolf again, and pretty much. I don't know; the other ones are just kind of generic. I guess you could say that you could find some people on cable today calling their series these things, like they call something Yellowstone or something.

Well, there's Great Lands, there's Grand X, and there's Million Kids, which is just Million Kids with a Y. I don't even know what it was supposed to be, but like Meta New Warrior New, I feel as if that was like the Facebook, Facebook seeing this and then decided to unto theirselves, "Yeah, let's do that." I'm kidding, maybe they did, maybe they didn't; you have to know yourself, figure that one out yourself. 

This is the only place where you have these drawings for these different characters. Also, Future Saturns, I guess, was like the worst draft series I have ever done in my life. Most of these are the most boring character designs ever. Most uninspired, and it's kind of like the same character all over again, but it's very boring. I'm the person who created it, but that's the point of the exercise: to create to find something better that's funny.

I even went so far as to literally use math on this thing, logic on this thing. It's almost like the seeping of AI print, not really AI, but you know that AI is based off of logic, and so if you use logic you win. I feel as if people don't understand that using a lot of logic in comics can actually help you a lot. When it forms down to it, that's all my method actually is, but ultimately, well, not really. I'm going to take all that back; it's not that. It is a way to do things; it's like a culture itself.

I got so many different weird ideas in this thing. You have:

- a reader writer

- mender bender

Some stuff I never posted on the site itself you 

You know, it is ultimately a lot of stuff. There's so many different ideals for liking different girls in this time period that I don't even put on paper, and ultimately, if I put it on paper, it's simply because I can. People just need to learn that they overstepped their boundaries.

The future status stuff is like at the very end before I would create this new, the sec, the other group of works. I have the whole base, their whole base, the whole different things that they would do.

2013, the fall, was like a different time period, so full of hope, and you can escape everything of your past, and nothing seemed to matter anymore of that sort, but you'd be wrong. Now, here's one that you have never heard about before, called Dryas. What is this? It's basically a Mora spin-off in the lore. This site, starting with gofterman, has a shared world for astringent works, like Breaking Ponies, gofterman, called Mora. It's like another world with human people on it. It's like the adage, "Is there life out there?" I feel my family is like in Sonic X; they have a sister planet to her. Well, that's basically what it is.  now, this series basically is about a dragon that is like a soul healer. It heals the soul, and so it basically is more than a spiritual thing. I think it was meant to be a medieval tale in that world. That's what you can call another world having a medieval eraThis idea never got continued because ultimately I never got to continue more in a way that it actually needed to be. Now Dream One New York tried to continue this by the Fezz. It was just too shaky of a thing, and it never actually truly caught on with the people to be such a big thing.  Grand Light of Torah is basically another, I guess you can say, more story, but in a future, the previous one basically continues into another story called Life Journey. I guess maybe that's not connected to Mora at all, just another random story.

You got digital. There's basically another random story about being trapped in a cyberspace. Wow, these are some works that have never been seen before, and the other one before that was called Life January. Now, some of these works literally have potential  as full series and others, not so much. Basically, by 12/13/2013 at 4:43 p.m., I have a 2014 list and a configuration list of works that made it that I want to develop further, but do I actually develop further? I will focus just on the other things, but the 2014 ones would actually become basically the newest Kionbi works. A.K.A. the last generation, I would say, is defined by a lack of effort to actually flesh out the story and write stuff for it, because of a lacking ability to do so in the time period and a lacking wanting to repeat the idea database and still not know how to actually do anything to make what you have written into reality. I like to admit that, literally, it's come to a point where a dude just doesn't want to write anything for his work. Well, that could have been its own little blog thingy, but at the end of the day, do you think that a person actually wants to do what they did in the past over again when they literally could be doing something different?

Now, the previous day before this was written, another thing was made called Nylon Tikka. I didn't actually draw anything for it; it's very open to this very day. When this was made, 8:30 7 p.m., literally before I went to go eat dinner on that specific day, that's like literally before college went out for the Christmas break, so it's like a durst day. Basically, I started a story of the development of Fall 2013 at the very end, why, because that's just how you gotta see things. The confirmation basically ends by the der week. It's like the fourth week of school, but it's like the der week in September. That's why I first finished writing it in hindsight, so I just kept on writing it because ultimately I need to write more ideas that would have changed history. By the way, I would say who knows what the outcome would be

And so, 11/22/2013, 5:20 p.m., I literally have the whole list of all the main Kionbi works that are the most recent ones in terms of everything, the most modern, modernized versions. Now I actually have an old version of my 2002-2003 roster of works, and it's full of different works that don't exist. Over 20 years, you can see how these works become, I'm going to say, less creative, not really less creative, more serious and more defined, and maybe some series just don't make it to the end. There are tons of series that are not on this list. I just want to state that, literally, for a person who is going to read this, there is no, let's say, answer to why this happens, but an assortment of events.

Now, noticeably over time, I will keep coming back to this book, but ultimately realizing that I had nothing else to do in it. That's over. It's like saying to you that, while I was making those methods, each one of those titles I read off as there was a hard branching that was supposed to be its own unique method. Then, by never actually finishing it per se, those are kind of like the idea, kind of like the parameters of why it was supposed to look for. You understand? . My study, of course, and pretty much it all worked out in my favor to actually do this, because I could also. A person had to think about how to make the ideas in a certain manner that appeases each condition.

The next I move to the next book, Slayers of Wolve: Our Battle, made on 10 July 2013, 4:04 p.m. This literally is at the beginning of the first month, not first month of October, and pretty much it was later filled in with stuff in 2014, of course, all through that year and even up until 7/30/2014. Mabel was created, I guess even further than that. I actually know. Basically, this is a book that may have been created in that time period, but literally, what does it do in the actual time period? Yeah, it's not really that great, but literally, some would say that you are worried you used it to write Angelina on 11/11/2013 at 3:34 or 3:35 a.m. at different time periods, you're basically starting from the point of 11/5, I keep dates and all these things, 11/5 2013 at 2:09 p.m. The library was very hot that day, and I was just like, I gotta keep moving on. I doubt that writing something would help me progress the different ideas. It's not just for Angelina, but just different titles eventually, like One Square Cube. Basically, all that was done in One Square Cube, and all this other stuff was done on one day, the eleventh, at night, continuing until it finally stops at eleven, I guess, perhaps, maybe. Yeah, never mind. Perhaps the date is wrong, but it's like 11/11, 4 a.m., which I think I meant the next day over instead of the same day. Perhaps you had to go to sleep. Actually, I did go to sleep, and so basically that's the end of it. Basically, this is like starting at the end again. Why did I start at the end again? Simply because, just to tell you where things are going, I dropped out of college and ultimately continued to study, just the seven three line 2014, making posters for different series like Mason Trails, say the comedy was supposed to be Swanson Rebellion, which was actually Mason Trails, and I was confused the entire time. That was the last comedy.

Anyways, that was the previous post. My great point is that, literally, the whole book is kind of empty. I came back to write some mysterious and continuation ideas, but ultimately no. You know what's the fucking thing is that I know that at the very tail end of this book is a 2013 name called Hit List, and it's another effort to reach that home after it has a building by it. It basically starts the 2014 era at this point. If you look at the date, it's 10/30/2013. It's like a month later. It's before what would be written about Angelina in the other works, which kinda just goes in a downfall descent because I didn't have time to actually write the stuff, so I didn't actually go the entire distance. But here are the works. Dubb Time Adventures, Dubb True and Bold Hit List, Couple Creature Handbook, Serverance Lady a Chance, Dubb Good to Be Bold Ladies, Roof Tailor, Fair Tail.

Now the second list is:

- Concerts of True Domain Dominion Urix Palace King of Old Star Happy Things Wriggle Myth Put a Wriggle to It True Boo Simón Lady U Strawberry Sick Phantom

- Alright Alright Shut Up And Onical Lance Katie Jones

Onical Lance for Katie Jones is basically what this is. I guess, in a certain way, you can say this is like the second attempt to make another effort after the conflagration, somewhat, I guess. When this was made was at 3:14, 3:12 p.m. That's literally, if it was a school day, I would literally be in a library. I probably wrote this in biology if it was on a certain day that class happened near if this girl called Mikayla.

Ultimately, what this layout is that this book is very vital for what comes after and basically goes from a point of me being in this place while I'm trying to make these works, to which I don't. It wasn't actually like me making another conflagration or attempt at works, but really another effort that was supposed to be before the conflagration too, but things just didn't work out. I never worked on these works, but yet this book shows what happens in the 2014 time period once I come home from college, which is not that easy of an experience, mind you, but it was better than staying there.

I don't know what I'm saying. Most of this stuff doesn't actually have a great date on it, but most of this stuff is after that time I leave college. As this page, I'm controlling the concept and came with starting what I'm gonna do on it, and it's from April 29th, 2014, but pretty much everything else is on a singular date, on a similar 7/20/39 or around that time period in 2014. Basically, it has new series that never actually made it, like Klaus Supreme grand work and drafts for a different coasters for Mason Trails and drafts from this for launching, for I try to remake some old ideas I had. I looked in my book one day in my old books and drew the characters from Agma 109 in this other series that never actually made it to become very prominent in the time. I had a bunch of 2009 works that just didn't make it anywhere, because in general I just didn't like how they turned out, but they exist. I want to say about the already standing, where it's not as form-fit as the previous time period, but it's more trauma-bound. I'm just going to write it fast and all this other stuff. I'm actually minding what and why I'm doing things. I feel as if to tell you that this thing even goes into 2017 and all these different things. Got a large list of mysterious and changing your continuation seasons. Pretty much, wow, that book shows a lot of what is to come.

When I leave this place, my mother sends me down; my father is notified by the school, and my mother sits me down. Basically, like the paraphrase, "How could you do this?" Basically, it wasn't a good day, but it was way better; it was way better than being dead. It's way better than being dead. My dude is way better than being dead. I'm gonna say that again: would you want to be dead or would you rather be alive, because that's what's gonna happen if you stay your ass at that school?

The next book also follows Mason Trails. I basically started with posters in this time period. It's the same month, the same seven months in the same time period. Same dirty time period, seven dirty 2014 rather time period. You had Dirty Pop, and I started my new method, which basically has you put stickers, make stickers, and put characters on a background. It was actually fun, but it was actually very austere in a time period. It was happening. I'm not going to go into why that's austere, but literally it was a great way to draw things out without harming the sensibilities of the mind or pushing you to draw something over and over again that's the same. It's kind of frivolous to draw it over and over again when it's just supposed to be a draft.

I had plans for the Runecasters and Revengers in this thing, and I did Swanson Rebellion as the first one. This will lead into the four-by-four method, by the way. Or rather, the one where it's like three sections and you have four corners. You have at least four series on each page, and you have a beginning, middle, and end for each section. Basically, what this one trains you to do is just to do it once for one of those three sections, so you can easily plug one of these things into the first panel, the first beginning, and you have a little mini-comment: "It's better than nothing! I'm like, I'm starting to get somewhere, and I surely was. The method was taken off, and it would grow exponentially to where it is today."

Leave an app book, which is actually called Money. It's a book I borrowed from my little sister. I usually try to reuse as much paper as I can. You know why? Because to do all that is kind of a waste. To get a new book is kind of a waste.

Now, on 10-17-2013, Fort B and I created more series. Well, maybe it was not really a new series, but it was basically me writing Slayers of Wolves and calling it Dirt Birds We Wouldn't Forget. Around this time period, I'm trying to try and grab all the songs I created in the past, but it didn't work out. I don't know why it didn't work out; it's simply because I didn't have a good focus on what I wanted to do.

True 2013 one is basically when I'm working on these fucking things, and literally it's very complex, very complex. I'm just right in the plot direction, but it ultimately is kind of a waste of time. I want to say to you again, because ultimately it doesn't actually accomplish much, but I guess you gotta try something, gotta try and fail and try again, because ultimately it's trying to make a visual album. I don't know what to tell you, but a dude has always wanted to make a visual album type thing like Gorillaz, but I don't have time to develop my musical expertise. Okay. I'm just trying to get as much as I can done in this place. I don't really care what I must try. I'm trying a lot of things. Some could say I could have tried a bit more, but ultimately, no. In hindsight, the sleep schedule was complete ass for me to actually perform at my best, but what am I supposed to do with a room that smells like vomit? Ultimately, I just sleep on one of those hard couches. The building is newer, so the furniture isn't bad, but literally, a human's not meant to actually sleep on those things. You're supposed to sit on it; you're not actually supposed to sleep on it, so I'm basically sleeping on a fucking bench almost every day, minus the weekends.

Now, this thing, I didn't actually have all my materials, so when I try to draw, I basically drew another Universe Express ultimatum. This thing literally has me drawing a new cast that's specific to the college that actually I didn't continue doing. You know why Universe Express ultimatum is like the dark one? It originally was supposed to be a story about if the characters are granted immortality after their years of service as guardians. Isn't that bad when they basically just are joined by their descendants over the last installments, over and over again, and they don't actually are able to get rest or something? I don't know. It's just a story I wanted to try out, but this goes in a different direction, the more stereotypical direction of we're just going to do another generation of the cast, another generation that may not be related to the cast or another cast entirely, and it may not even be the same world. I don't know what to tell you, but clearly now this is like a different ultimatum than the one I commonly refer to, and this was made on 11/13/2013.

Pretty much, the significance of these projects is just to try things, as time is surely running out to do so as the semester comes to a close. Isn't this an interesting way to hear about my college experience? There's so much social element around it, but you rarely hear about the other stuff going into the next book. Started it's basically an introduction to psychology, but I quickly turned it into a math book or something else. Why? Because that class, psychology, blew, and I just couldn't focus in that class because it was a very toxic one. I kind of didn't actually use this book until 2014, or rather until I kind of used it for history class, but it wasn't really used until later on. There's more uncovered .Why is there literally so much inside of this book and more uncovered, a chirrup foundation and starvation pirates? What is a juror foundation? It's basically because I thought I couldn't see this girl I like so much, called Allison, and she was. I didn't have a class with her anymore; she used to wave to me. I will wait back, but then she wasn't seen as much as she was before, and I'm not going to say, "Sure, search for her in the great blue world at all." I'm not like I found that kind of creepy when this other dude did, basically, knock on her door.

Literally, this book is a what, with a kind of mazzard conception page in the rookers idolism and the story I never got to continue from so long ago in 2011. It's not really long ago; it's just like two years in that time period, two to three years. This is like before, in the spring, the spring too. There's a 14th semester. You can see how vibrant the drawings are if you were to actually look at how kind of rushed they are later on. I would say that I excel in pencil drawing; that's the only thing that's not really the only thing I excelled at, but it's like one of the best ones.

This was actually meant to be a psychology book, but it became a history book for the second class, second history class, and that teacher did not like me; he hated me. It's a long history of adults being weird. I have another drawing at 10:02:00 AM, February 3rd, 2014. It's basically supposed to be like a rough draft of a hero with a heartbreak on it, because I was like, "What if a dude had a hero? You had a hero with a heartbreak on it." Actually, this is like English class. I'm like, "What if everything doesn't go well in this college? That's what is going to be a heartbreak hero. Heartbreak hero." Ultimately, it was correct. I never actually created a name for this character, by the way. It's just there, a relic of that time that a dude could come back to. You know, for me to actually make something into a Kionbi title, you have to have certain parameters.

Well, it's like another idea of an automap thing. It's like a simulator type of idea. This is like main on the 19th of February that year. Basically, this book is used for math, is used for history, and is used for English to write down certain dates and that basically tells the story. It's also when I'm in a dorm room trying to figure out what I'm going to do, also to write down certain methods. One method is noted with donuts. Oh my god, I can't get into all that. Really not.

Now there's a one-page with interesting art. The first page is made with interesting art on January 21st at 1:30 PM. This is basically inside of a class; I'm pretty sure that I'm doing this. Ultimately, I don't kind of talk too much about that time period and what a dude was experiencing. Outside of the creative efforts, I had this everyday action show idea during a history class, like probably one of the earlier times of it, whatever they're on, it's black history, dingy, when they are like the Toso race riots or something like that. Next book is basically a black tattered one. This is the one that would have espionage in it. What is espionage? It's basically the foundation of understanding the logic behind my real-time collage method. Started all the way back then. I'm not going to go deep into it, but ultimately it's like you observe, you think about real people and how they interact in a space and how you can replicate that in a work. That may not be easy, and it kind of takes a while to figure out. This book basically holds some methods, not all methods. It later holds city, a city idea that I try to develop over the summer before I made Dream 1 New York. I'm sorry, I'm basically trying to say to you that maybe calling it Dream 1 New York was misguided.

What I've realized is that you're trying to do something to impress people who don't exist. You're in fear of your parents in this time period because she dropped out of college, but ultimately, nothing of that shit even matters. Nothing matters; it's a bunch of bullshit, and ultimately what matters is that you create an actual cohesive idea. It perhaps made more sense to actually have the work be about a city creator more than anything else, because these were like plans for different cities. I would have made more sense for a story to be created for these events instead of it being like a New York thing, or the New York thing could have been the second season or something, the second installment.

Now you can see in this book, if you look at it, the art style changes by May 26, 2014, when it also features the Dream One New York cast, Punkania, Colboreen Team, Fezz Tex Rex, and Conway Pirates, who are supposed to be different writing teams. You create their own works; you see the writing go from the drawing, go from polish to very sketchy from just like, like May 6 that year to just by the 27th, very sketchy. What else is also during that time period? Kevin M's virtual reality 3:54 p.m., that time period. Marina the Mermaid, 29 Baltic Angel World World Mission 2009 Baltic Angel World World. These are works that are not even really much supported. Europa from the later group works at the end of the year, the 2013 year. Grand X written. That's basically on Christmas Day, by the way, of 2013. Basically by 5:19, the sketchiness begins because that's when I basically sat down by my mother and she said, "You dare drop Ali Cohen? I'll be right." you know, there's a great game in this thing by 523. I'm basically drawing some things off a tumbler. That's the site to use in that time period. It wasn't actually the site that guaranteed you any success. I drew some random women, and not random women. These women were actually supposed to be the new mascots of the site of Incan Bazaar, but I didn't complete them. I was supposed to have an internal story on the site, but I never got to it for one reason or another, and it just got away from me by 2016. It's either focus on actually figuring out a method that actually works in real life, or something else completely.I found myself really finding out that the book goes dry after a minute. After the creation of Roman Dime, you only later get like Polar's or something, a Polar's planning thing, and it's where this word language decoder method that method I was working on in that time period died. What it did could lead to something else; it led into another method that was about waves, the visualization of waves, which is basically to show you how abstract the idea was, but I'm not going to go into that.

There's a Conway Pirates thing, and there's a sage. I don't know. There actually was a dude in college named Sage, but this is not that type of sage. This is like a master. This is like Yoda. This is intelligence. That dude was the opposite of intelligence, by the way; he even finished college, like, ever.

Next is the Dink Crate record book I got for my mother on Christmas, and it was basically, I run it, this joint. There's a place you can write your name under; this journal belongs to you. It's like when this book is starting to be used, it is like the 23rd of 2014, around this time period. I used to have this group of people we should sit down that kind of descended from this other group that used to play these different games, like Mafia Smash Bros, but this was the more, let's say, the more academic people. I wrote down all my methods, short and burst, all plans of different methods, starting from that date, and ultimately it's kind of weird. I had a talk later on about how that this idea called Tower of Romance is very interesting, right? Wouldn't you like to know what that one's about? I'm not going to tell you. Also have one called Boots, but this was made very late on in the year, like the seventh; it doesn't go further than that.

The graphic novel angle is also a method, but by August the 7th, 2014, going past then, the book just becomes just a drawing book for different things. I draw stuff in pencil about pastry, about a cookie and another cookie. That's like one of those dark chocolate things that look like gravel but actually taste good, with all the nuts in it. It goes into 2015, and then you go back to a page with a new idea called Mark Cassius. I never finish this concept. The FNR 2015 page, a million man offer that came way later on, and yellow hat .I would sit there on the earlier time period and make these different methods that, in hindsight, didn't actually happen for that too long. It only actually happened for literally two days, or pretty much two days. Maybe 15, like three days, or something. You never actually know. It's actually more like three days, pretty much. Basically, by 1226 of that year, I create this hot woman who is supposed to be an Ignitus Knight. Basically, the book becomes a shell of what it was supposed to be. It was supposed to have a lot more methods, and ultimately it doesn't.

In this time period, I was trying to make an AI person, a personality to do, create comics with me. You actually can't get a real-life woman to do that stuff, which, by the way, is not really. Going into the next book, which is a blue book, also a used book. It basically contains many drawings of a woman who looks similar to this girl called Victoria that I used to like in college. Around 4/25/2014, I'm just drawing these women. I had this project where it was like 300 women or something, but I just didn't draw them well, but it was always my dream to upscale my skills, and so that was a progress to do all that. I even asked my roommate, "Doesn't this look like the girl?" Anyways, you gotta be lonely, gotta be truly lonely to mark onto that question.

Okay, after all that shit, Regents Alike 2009 basically has Magma 109, Armor Girl, and all other characters, because, like, literally why not? That's why Magma 109 has so many fucking alternates, because I could never get the story right, so I just went back to the very beginning. If you wanna know.

Brainstorm: this is a character that would appear in 2016 again, and you just don't know that you created them. On this date, you know what was happening? I was doing this architectural project as a part of the espionage project thing. The espionage project thing didn't occur later until later, I don't think. Whatever occurred, this is literally before then, so it's kind of the same project: to try to make a realistic world in drawing form. You know that may seem like it's doing something very simple, but it's just to branch into something greater. This is basically the foundations for my method that I use today, and so it's very important.

Also, it's very important that you understand now, on this particular day and in this particular time period, I'm working while these other people are playing Monopoly. That dude, like that dude who would knock on the doors of the girls and sequester them out, basically asked me, "What are you actually doing?" Why, in a very annoyed tone? This other girl, called Catherine, was like, "I'm tired," and basically spoke up in my defense and said, "We're following our dreams," something to the effect of "we're following our dreams." That's important for something later on, and so that's like so cool. You think you're all good and good with this person, but they kind of never speak to you ever again. As things are going, they would never speak to me again in their life, which is kind of funny and sad at the same time.

Now this book kind of also has more practice to draw more big and skilled. Just draw big and skilled. Draw Tumblr people. Draw more people as time progresses towards the end of the school year, which is like 5/30, 5 made the third, 1:30 AM, 1:33 AM. Those nights were full of pressure, I gotta tell you. We got 5, 8, 14. I drew a moron man with curly hair, coloring the sides of his face. You think that could be a new idea? Who knows? It was just barely in drawing. I drew a yellow hat on a dirge, and there's also a method that was accompanying this. I would draw literally trying to do the same thing that I was doing with my own songs but for music videos. This book will continue to be used until 7/25/2014, and pretty much it has some storyboard and things in it. Also, in Kimu's honor, I'm planning later on for like a Marvel drawing exercise. There's a yellow book that basically shows what I was drawing. I was drawing more faces of different people on the tree for Sage and Destiny. That's what the idea was wrapping up to be; the previous idea of Sage was turning into Sage and Destiny, and then I drew a visual form of David from Slayers of Wolves and Emperor Snake, just changed a bit; David now has blonde hair. There's a bunch of facial images that he had brilliant brilliance. That's a blog event that never actually did well on Magma's Honor. Maybe I'll bring it back because it was kind of shaped by that terrible time.

You have basically some Cobarine, a Sage and destinyr, and other things for Dream One New York. This is before I can actually draw anything comic rise, so that's all I can do. I will also do more practice in this book until this practice would be at 2:00, 2:30, and 3:00 a.m., so I worked very late any days, usually watching some form of an anime at 5:15. I'm basically drawing a woman who doesn't look too bad, and it's kind of back to form. It shows; it also has the 6/14/2014 drawing, which also looks good on this thing called Thousand Words, which I was going to use to try to graphic design some words, but it didn't actually work outNow this one literally and basically is kind of unfinished. I never actually completed Black Magic. This entire book was to complete Black Magic in a sort of sticker method way. There are also tons of new ideas in this book that I never completed. Also, it was another book from my younger sister, so I reused a lot of the books that I reused, and it was later going to be used to draft one page in the 2015 one page era. It also has a page of a sex scene that I drew in 2015, so there is that, but I'm not going that far yet.

There's this work called Sage and Tiles, which was supposed to be my life story, but I unconspicuously changed the race of the character. It was created on the 6th of 2015, but its roots have something earlier. Next, another book was basically to do the same thing, but I never actually completed it, so it basically becomes a 2016 book after a certain while of it actually having done the method for breaking ponies and Bandar Pit, which is kind of funny. I never actually came back to that, but it also basically becomes a one for the 2016 method, the one panel method that equals one series, all leading up to the big method right away. It ultimately was never completed, but hey, if I wanted to draw something in it, draw something today, this is the book I'm gonna.

Now we get into the last set of books for this time period. This book literally kind of is used and is basically a 2016 book. It was another book that was set aside to be for the sticker process, but I never got to it. You also see Brainstorm reappear in 2017. If you pay attention, then it just has many projects that were supposed to be done in the book over the years, but it's mostly used as a 2017 book after a while. It has the Dirty Pop for, it has Definite Edge and Dirty Pop in the solar method, is what I wanna call it, that I never actually mentioned on the blog itself. That was just to draw stuff, even if it looked bad. I just didn't get used to the whole method I was going for. Basically, the time I set aside three books for the sticker method, but I didn't complete it for most of these things. . We have gotten to one of the last books called Hard Book, made on 7-11-2014, and also has Sage in Tiles, but with a proper face on 7-12-2015. This tries to eerily make a story about what happened at college, but it's just so bad that it ain't that great. It's also at the end of a traumatic event that happened, so it wasn't that good. Also, I feel like I couldn't tell the truth from this thing, so I kinda quit after this.

Includes some pages of the sonar method and also shows some pages of me trying the 4-coma method for not to summer. Basically, I went back to high school to make a high school story. My high school story. This is in 2015, by the way. I don't even know if this is where the name Sharkon Captives comes from, but ultimately this work continues at a certain time and basically shifts into it being in 2017. It basically goes from the 2015 to 2016 effort, not to summer, going back. Actually, it wasn't going back to it. It goes to 2015, the most crucial event in my culture. In my culture, you have many plans for woman, girls, and different words that never actually filled in the thing, and ultimately, as many open pages. There's a plan.

At some point, I had written this book on 7/11/2015. That doesn't actually come to fruition, and basically what I wrote about in 2017 was probably the better part of the book.

Yeah, Proptics from 2013, Configation showing up again as a 2015 work on the 24th and on the 34th. 34 is when you were basically the same cast, but this time they're actually drawn.

There's killpen  Tower, there's Jirami. Different works that never actually made it, like basically before MmCulture and Culture really was a thing. You got Killpen Tower, and that work never actually took off because I never could get back to it. It kind of revolves around actually you have to create so many different works for the characters that it becomes the biggest obstacle for the work itself, unless they create your works, which I didn't actually want to happen because that takes away from my story, by the way. Later on, I try to put in some different works, but it just doesn't work that well, because you have to actually create it.

There is a future, there is a mysterious and changing future comic page in this thing, most likely for stories from the coffee shop. There is a 2008 event which was supposed to do what I am doing now but never did. There is Marka on the 17th. There is another idea for a new site called any time.com, which is actually not new. It basically is a very chaotic book but shows what progression to 2016. That's not why it's called the Hard Book, by the way. Just for new ideas and concepts to just draw stuff, and it worked. 

Reaching the last and very last book is a blue book that's coming apart. It's not like French fry; it's not taken care of really well. I'm joking; it actually is. It has rune casters in it. This is like the first work that's done in a let's say one-page method. You have weird universe express versions of things here, and to open it, you got American legend, then you have rune casters, all done from a method that's basically also armor girl. Done from a method that literally it comes from? There, actually, maybe this is only armor girl. I'm actually seeing rune casters in this one, but just so you know, there actually is a book that has rune casters in it, so it's not something that doesn't exist.

Swanson and Rebellion is the one that's included in this book. Literally, I didn't write the time it was completed, but actually I did. By the time Swanson and Rebellion was completed, this was at the end of the book. It's like 10:12, 22, 2014, and it's like 4:14 AM. Not the series, not the entire effort, but this is like the time of the year when it was being completed, and it's not interesting. It's actually completed 10/20, 10/23, 2000. It's kinda like the conclusion of me using that method, by the way. It's like a one-page comic that told one serial of each work. I never released it to the public because it's more of a method up than an actual final one.

You have to understand that when I actually left that college, it was for the betterment of myself, pretty much. Now, admittedly, this is like a voice recording thing that's from scripted onto Blogger. Of course, I'm not gonna type all this shit. It actually helps to do this while you're doing other things, so you don't actually have to spend all your time working on typing stuff when you actually have to draw stuff, and so your arms can rest. This is like a beautiful invention. Are you guys saying my hands don't hurt now? I'm free. I have more energy, and ultimately the world is good; the world is good again.

Now that was a long thing, but I was planning; I had to prepare for this for an entire week just to show you the great lengths I went to create something, create the comics that you see if you buy them. Ultimately, this will compound and be compounded with the actual social nature of my time, and you're gonna see a beautiful story you Forgive if some things are errors, but I usually have to proofread and fix the stuff. I'm not able to do that right now, so this is what is able to be published.