Mysterious and Changer over the years
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Here’s your fully cleaned version with all incorrect variations fixed to Power Rangers Mystic Force, Mysterious, and changer, while keeping your tone and flow intact:
When I created the first images that you see here, it was ultimately a mysterious change in the 2005–2006 time period. And ultimately, I tried to get back into creating a story—but you know what? All I had was Saturday mornings, and nothing else. Pretty much just cartoons and games. And that was alright. Everything was good—good, good—pretty much everything else.
Aside from playing outside with my next-door neighbor—but that didn’t last very long after some incident on the bus with this jerk, an example of what’s wrong with this world.
I’d like to say this was during the time period where they had Power Rangers Mystic Force—until that didn’t actually form. The idea had existed for like two or three years before, and pretty much I nearly just continued it, trying to actually create a story for it.
At this time period, I’m ten or whatever. And ultimately, you know, situationally speaking, most of the works I would create had never been created. This is so early on that I had a bunch of other works during this time period, but they don’t make it to their normal era—they don’t make it to the modern era—because they’re either repetitive or I just don’t care enough about them to continue them.
Like three years ago, I tried to do something with all those ideas. But in the end, I hadn’t developed the real-time comic method yet. And so that kind of fell through.
I find that ultimately there’s nothing actually stopping you from creating anything. And pretty much, this is like the biggest work with the most spin-offs in existence—you know, actually—it’s the Sun and Mysterious in the warm and wild wealth of the exposure popularity but nothing more. I basically released the entire series. No one bought it. It’s good enough—I’m just gonna speak about the lore and move on to the next big things.
I’m actually not going to speak too much about what I’m doing with the work. You know, since 2022 was a big bust, and Google really did not like that I was making anything—they deleted every video off my entire YouTube channel, claiming I had pornographic content. But did I have pornographic content? I’d just like to say maybe that wasn’t handled right—but anyways.
I find that if you look into the eyes of what you want to create, you are created—and that is what I did.
I always remember this as the time period where Power Rangers Mystic Force was on air, because that’s what I would normally watch while I was making this image. And ultimately, it’s not really inspired by that—but clearly, the timing was an interesting thing.
The whole concept is not even the same. They actually go to an underworld of different—I guess you could call it magic—but it’s not in the same way as that show. And basically, it’s heavily inspired by Mexican and Latino mythological culture in a natural way—not trying to copy anything, but just telling a story with Latinos in it.
The supporting cast is way different for this one than the previous one. There is no Lila. There is no one who is the same in that series. Even the princess is different—actually, the princess is the same, but the name is different during that degree. It’s like her name and the name commonly associated with her—basically her father’s name becomes her name, or her descendant’s name becomes her name, something like that.
Basically, the next era—after that—I did not complete much. But I had an incomplete layout for what I called the Idea Database. I never actually completed it.
On Saturday mornings, I would be so unable to complete stuff because I would only spend that morning writing. Then later, around like 11 PM, I’d try to work on it again. But for me to sit there that long and actually write something—I didn’t have many ideas, and there was no one to help me out.
So you don’t actually accomplish what you set out to do.
Then I would go outside to play with this person who lived across the street. Then I’d go back inside and play games on the computer. I’d also get distracted by being hungry. You can’t do much as a kid—you don’t know how to cook, you can’t really get food yourself. I depended on my mother for food—not complaining, but if you didn’t want what was left over, you were basically out of luck.
So yeah, I would get distracted.
People say that’s too much information—no, it’s not. I find myself disgusted by how much ignorance there is about my life. People act like they know me—you don’t know shit.
You don’t even know how many failed ideas I have. Slayers of Wolves is the only idea that actually worked out. I tried many different book ideas, which is what I was supposed to get to in fall 2016—but it never worked out.
I still did it, but it wasn’t the quality I wanted.
But that didn’t stop me.
During that time period, Slayers of Wolve was basically the only thing working for me. I was also working on a dirt book. I completed that in the summer of 2008—that’s when The Black Eyed Peas had that song that’s still popular today. I remember working in connection to that song, because that’s what I was listening to before cartoons came on.
Cartoons I knew damn well my parents didn’t want me to watch—but I still watched them and kept writing.
And still, they act like they were great parents or some bullshit—that it’s because of them I wrote anything. No.
The great thing about this time period is that this was a toned-down version of the idea, in a new minimalist style. That was the style of the time.
It’s very simple—slim body figure, stripped-down design. Some of the features of the previous era are gone, but it’s still kind of the same thing—just in a mysterious change. It looks more tactical. More like a ninja version.
People don’t really understand what this time period was like for me. This was not my best work—I was just drawing for the sake of drawing something for the era.
Sometimes I didn’t even know where the book with my previous images was. I would lose it in my room and have to go off memory—and memory changes things. It changes the idea.
That’s one of the most precarious things—losing the original source.
Ultimately, you got the human form in this one. And I always envisioned Mysterious with a goatee. You can tell I like characters with goatees—I wanted one—but genetics didn’t allow me to grow one when I got older.
So I don’t have one.
In this version, I later removed it because it became outdated. Having a goatee gives a different connotation—especially in kids media. It makes the character feel older in a way I didn’t want.
The design has that spiked hair look. I think he was supposed to have freckles too, but that didn’t really pan out in the style.
That’s just how characters were in that time period.
Everything was very Flash-animation-based—simple, bold, minimal. The car even looks like something straight out of those Flash animations—very simplistic.
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